Sir Thomas More
Written Partly by William Shakespeare (1564-1616)
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By Michael J. Cummings... 2003

Anthony Munday wrote the original script of Sir Thomas More between 1592 and 1595. However, the master of revels (censor) at that time prevented its performance because he thought scenes showing Londoners rioting might set a bad example. Years before, in 1559, Queen Elizabeth I had issued orders banning the presentation of plays which, in the opinion of government authorities, disparaged the established religion (the Church of England) or the government. Other writers later revised the play, making it less politically provocative. Among those writers was William Shakespeare.


Date Written: Between 1592 and 1595. 
Probable Main Source: The Chronicles of England, Scotland and Ireland (Holinshed's Chronicles), by Raphael Holinshed with the assistance of others.
Type of Play: Biography of Sir Thomas More.


The action takes place in London in May of 1517. 


Sir Thomas More was a wise and worthy English citizen and public servant who exhibited honesty, right thinking and courage. However, for opposing Henry VIII's marriage to Ann Boleyn, he paid with his head.

Significance to Historians

Shakespeare's revisions (about three pages) of Munday's play provide the only surviving examples of his handwriting.

The play dramatizes the life of Sir Thomas More (1478-1535), a leading Renaissance scholar. More's opposition to Henry VIII's divorce from Catherine of Aragon and his subsequent refusal to swear that the king's authority superseded the pope's led to his execution in 1535.
Before taking his stand against Henry, More had distinguished himself as a writer and thinker, as a member of Parliament, and as an undersheriff of London, a position he assumed in 1510. After attracting the attention of the king, More rose in the political ranks, serving as a diplomat, as a speaker of the House of Commons, as an adviser to the king and finally as Lord Chancellor of England. However, More's opposition to Henry's divorce effectively ended his career. Two years after he resigned as chancellor, the king imprisoned him, held a mock trial, and ordered his beheading.
The part of Munday's play written by Shakespeare centers on More's tenure as sheriff, when rioting breaks out in London to protest the presence of foreigners and the privileges they enjoy under the law. Following is a quotation from the Shakespeare portion of the play.

One of the Shakespeare Passages
Among  the grievances of the rioters is that the foreigners spread disease through their foods. One of the rioters, John Lincoln, a broker, says, "They bring in strange roots, which is merely to the undoing of poor prentices [apprentices] . . . .These bastards of dung . . . have infected us, and it is our infection will make the city shake, which partly comes through the eating of turnips."
[This quoted passage appears to be an attempt by Shakespeare to trivialize the complaints of the rioters and, thus, overcome the objections of the master of revels (censor), who was worried about the political motives of the rioters. After all, complaints about vegetables are hardly the stuff of revolution. The rioters were actually protesting against the foreigners' sale of wine, cloths, and other goods at a price so low that English tradesmen could not compete. On May 1, 1517, rampaging tradesmen freed imprisoned comrades, demolished the shops of foreign merchants, and even hanged some of them.]

With his considerable skills at oratory and persuasion, More tells the citizens that uprisings in defiance of the law offend the king. And, in offending the king, a representative of God, the rioters offend God himself.

"O desperate as you are," More says, "wash your foul minds with tears, and those same hands that you like rebels lift against the peace lift up for peace. And your unreverent knees, make them your feet."


More's remonstrations restore order and cast him as a wise and worthy public servant. The play is sympathetic throughout to More, who was canonized a saint of the Roman Catholic in 1935. Shakespeare's participation in the production of the play created evidence to further the belief of some scholars that he was really a Roman Catholic, like his mother, and not a consenting member of the Church of England.